Technology has provided a different reality in the creative process, where the artist has become expressive and expresses through it due to the dualities it contains that combine reality and locations, the tangible and the intangible, the screen and the image, the place, and the non-place. Today’s art has introduced developments that have gone beyond traditional methods of expression towards the electronic and virtual mouse.

The visual formation is an element of communication between the various techniques of creativity today, rebelling against what is accustomed to it. These problems have affected traditional and classical arts, especially in light of the unfair invasion of digital practices. These technical changes have had an influential impact on the artist and the recipient, as they have given a clear aesthetic relationship, opening horizons for new developments, but despite this, they have not separated from the importance of the role of the visitor who has become between an interactor and a participant in the action. Artistic practice has penetrated the dialectic between the wired and the wireless and has helped to give the creative process richness in form and content. What the world is experiencing in terms of labor includes the events and facts that the artist has committed to.

It represented an opportunity to feed collective emotions in the midst of the developments taking place. Consequently, an aesthetic and virtual system dominated the creative process. The groups that were founded in the shadow of these dynamic changes took advantage of the technological developments that brought with them changes in the methods of expression that the contemporary period experienced and represented a new aesthetics, with which the place became a container and content at the same time.