Moroccan literature of French expression is increasingly owed to diaspora writers. Their writings are a real added value thematically, technically, and aesthetically. For example, the latest novel by Najib Redouane, an essayist, novelist, and teacher of Moroccan origin living between the United States of America and Canada, From A Summer to a Summer calls in many ways. It is written in the second person and engages the reader at the outset in a love story that cannot leave him indifferent. The hero’s torments are such that the reception becomes an exercise of compassion. Heroin is described as a ruthless torture worker who does not miss any opportunity to make him suffer, humiliate, and push him to the extreme.
The question is therefore about reception. This study asks about how to deal with a text that falls within the scripture therapy of a subject with all the symptoms of nervous depression and how to protect ourselves from the speech of a deceived lover pleasing in victimization and illusions. The approach adopted is first thematic, then enunciative, and finally psychoanalytic. The aim is to contribute to the emergence of a reception that prevents the danger of reading, namely the momentum of identification to subjects that require professional therapeutic treatment.